TOKYO VICE, s2 (2024)

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If the narrative and temporal catch-up to Jake and Katagiri's meeting with Tozawa's right hand from the (MIchael Mann-directed) pilot in one of the last episodes of this season is any indication, I'll be more surprised if there's a third season than if there isn't – but what a fantastic ending to a great, underrated show and/or season: more amped up than the first, a steady, pulpier unfolding with great characters (this season belonged to Show Kasamatu's Sato and Rinko Kincuchi's – still one of my favorite actors, her role in Rian Johnson's THE BROTHERS BLOOM being a favorite – Emi and, to a slightly lesser extent, Rachel Keller's Samantha) whom I'll miss – yes, even Engelgort's Jake, whom, like nearly every other character at one point in the show, I wanted to punch (Engelgort's still the weak point of the show; I wish they had kept Daniel Radcliffe in the role from the unproduced film version) – dearly. Great show: if you didn't watch it, give it a binge. (**** / *****)

links/2024w07

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At around age 60, with her 3 children all grown up and out of her hands, Sugiyama decided to relocate from Saitama up north to Iwate prefecture where she had relatives, and was closer to her birthplace of Aomori. She obtained her chiropractors license and opened a small practice where she served the local community for over 10 years. 

One day, Sugiyama found a pack of discarded colored markers near a dumpster. Noticing that they were still in good shape, she decided to take them home and begin doodling. Soon, images of trees and rivers all inspired by the nature of Aomori began pouring out of her and onto the pages of a sketchbook. After a year or so of sketching with the markers, Sugiyama remembered her mother’s colorful kimonos that had been stored away. There was no use for them in storage so the artist, whose creative juices were now flowing, decided to begin incorporating them into her work, which eventually led to a style she has coined as “Kimono Reborn Art.”

links/2024w06

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Experimenting with returning links to being their own weekly post (or perhaps twice-weekly, on Weds and Sat?), a hodgepodge of trailers and quotes and more. Plus it’s easier to update these at the last minute than it is trying to update the newsletter before it sends (and K said she enjoys clicking through them so there). Anyhow…

And if a prosthetic need not mimic the limb it is replacing, then perhaps prosthetics could be more than just replacements? Ms Clode is an expert in the design of robotic prostheses controlled by artificial tendons. She is keen to explore the possibility of augmenting existing bodies with new capabilities, making prosthetics “a technology that could be of use to everybody, not just amputees”. To that end she has designed the “Third Thumb”, a small and robust prosthetic digit that does exactly what it says on the tin. Controlled, like Ms Knox’s vine-arm, by pressure sensors in a pair of shoes, the thumb can be used to replace a missing one. But it can also be added to an intact hand on the opposite side from its existing, biological thumb.

“dive into the cheese magma”

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(via SoraNews24): Simultaneously horrified and intrigued by Domino’s Japan’s Cheese Volcano Pizza. Pretty sure I need more insulin (and/or a stent) from looking at this picture:

To promote their concoction, Domino’s Japan hired opera baritone Teruhiko Komori to deliver this stirring number (translation, from SoraNews, below the vid):

“Domino’s Pizza’s Volcano is amazing! It’s delicious!
Domino’s Pizza’s Volcano is amazing! It’s delicious!
The cheese magma is simmering. It’s hot. It’s delicious.
Dive into the cheese magma and it will melt so much.
Let’s go, let’s go to Domino’s Pizza.
Let’s eat, let’s eat the Volcano.
It’s amazing, it’s delicious, it’s amazing, it’s delicious!
Let’s all eat the Volcano.”